As he began his senior thesis in music
composition, Chris Douthitt already had written songs for several years
on his own and with his rock band, the Lazy Pheromones, and garnered
praise from his professors as a gifted composer, guitarist and singer.
But
when Douthitt shared the early lyrics for his thesis -- three songs for
guitar, bass and fiddle -- with Paul Muldoon, he didn't exactly receive
a standing ovation. The Pulitzer Prize-winning poet and creative
writing professor, who also plays in his own rock band, "didn't pull
any punches," Douthitt said. "He made me rewrite -- a lot."
"It
was a pleasure for me to work with Chris, though I'm not sure if it was
always a pleasure for him," Muldoon recalled. "I found myself giving
him what must often have seemed like a very hard time, pushing him to
exceed his already high expectations.
"As I often told him, the
only reason for my being tough on him was my sense that he really had
it in him to excel in the area of songwriting. I wasn't interested in
his being merely good, but very good," Muldoon said. "I'm delighted to
say that Chris is the kind of student who responds well to that
pressure."
Building on Muldoon's challenge, Douthitt crafted
songs for his thesis that are "really beautiful, really wonderful,"
according to Dan Trueman, assistant professor of music and Douthitt's
primary thesis adviser. They also are a testament to the passion and
drive that have helped Douthitt achieve the distinction of
valedictorian of the class of 2006.
Douthitt, who will deliver an address at the June 6 Commencement
ceremony, has built a sterling academic record over the past four
years, with just one A- keeping him from a perfect grade point average.
In that time, he also has amassed an impressive catalog of compositions
ranging from rock songs to a Mass movement to computer-generated music
(as part of the Princeton Laptop Orchestra).
"The environment
[at Princeton] encourages you to focus intensely on your interests,
under the guidance of people who you would otherwise read about,"
Douthitt said. "I'm kind of amazed that I've been able to do basically
what I'd be doing anyway -- writing songs -- but with serious composers
listening to them and being critical. At the same time I've been able
to learn about the wider world of music from a pretty deep
compositional perspective.
"When I think that Paul Muldoon
actually read what I wrote every week -- that's the kind of education
that I associate with Princeton," he said.
A two-time winner of
Princeton's Shapiro Prize for Academic Excellence, Douthitt last year
was awarded a Beinecke Scholarship, which provides outstanding students
in the arts with $32,000 for graduate studies. He will investigate
options for graduate programs as he spends the next year in Chicago,
where he will work on his music and undertake a summer internship at
the American Indian Center through the Class of 1969 Community Service
Fund.
Finding his focus
Douthitt's decision to
attend Princeton was influenced by the University's "no loan" financial
aid program and the reputation and range of its undergraduate
curriculum. Douthitt initially expected music to be more of a side
pursuit while he majored in ecology and evolutionary biology, English
or religion, but "it ended up that music was what I was spending most
of my time on and what I was looking forward to," he said.
While
the choice of major seemed obvious, Douthitt had some doubts. "I was
kind of nervous about how I would fit into the music department,
because I didn't play an orchestral instrument. But of all music
departments, this is the one to accommodate somebody like that. I've
been lucky that the department is structured the way it is, with
composers who like the kind of music that I would be doing anyway and
have been very encouraging about it."
Douthitt received his
first guitar as a Christmas gift in sixth grade and quickly immersed
himself in learning to play Beatles songs. He also was influenced at an
early age by the music of Bob Dylan, the Grateful Dead and Neil Young,
and later by contemporary bands such as Wilco, Deerhoof and Built to
Spill.
At Lewis and Clark High School in Spokane, Wash., where
he also was valedictorian in 2002, Douthitt joined with his younger
brother and two friends to form the Lazy Pheromones. He hesitated to
pin a label on the band's style, describing it as "somewhere between
country and indie guitar rock." Douthitt has continued to play with the
band in Spokane during summer breaks, and will spend his next year in
Chicago collaborating with bandmate Blake Walker, now a sophomore at
Northwestern University.
Douthitt said that coming to Princeton
has allowed him to broaden his musical horizons, particularly through
introductory theory courses that "opened me up to more music that's
grown out of the classical tradition."
"I felt like that just
improved my overall compositional chops a lot -- I started to
understand that writing music was more than just about finding
something that sounds good on the surface," he said. "It has to have an
internal logic that connects what you hear on the surface to how the
pieces fit together at a deeper level. In those classes we learned
through 'classical' music, but I think this applies just as much to
modern music as well -- it's kind of like learning musical
craftsmanship."
Douthitt said many of his songs may be built
upon his personal experiences, but through the writing process "they
take on a life of their own." One of his senior thesis songs, "Evenings
I Spent Gazing," was inspired by the University Chapel, where he has
spent considerable time as a member of the Chapel Choir.
Trueman,
his thesis adviser, said, "Chris has a really creative voice in his
approach to music -- not just writing music, but thinking about music
-- that is understated and subtle, really quite beautiful, and unlike
anything I've ever really heard before. … He's very smart, very
perceptive, very hard-working. He also has a remarkable ability to take
criticism and learn from it."
As a performer, Trueman said, "He
has a very idiosyncratic voice and an individual style of singing that
is really quite wonderful and immediately captivating."
Dmitri
Tymoczko, an assistant professor of music who advised Douthitt for his
junior independent work, noted, "Many students would have decided that
it wasn't appropriate to write a set of rock songs as a junior paper.
Chris was willing to think outside the box and approach songwriting
with the same intensity and seriousness that one has when writing a
string quartet."
"Musically, I'm quite impressed by two things:
Chris' harmonic sense and his ability with lyrics," Tymoczko added. "He
has a knack for writing catchy, quirky chord progressions and for
hitting just the right level of elusive, allusive obscurity one wants
from a rock lyricist."
Whether the future takes him toward MTV or a Ph.D, Douthitt said he wants to "keep writing music as long as I can."
"We're
going to be hearing from Chris for a while," Trueman said. "The whole
road to becoming a rock star is very unpredictable, and I'm not sure if
he's even going to want that, but I think he's going to be doing a lot
of very interesting stuff in music for a long time."