A letter
from an alumnus about the architect Ralph Adams Cram
November 1, 2002
It was a shame to see the attempt in PAW (cover
story, March 13, 2002) to suggest that the architect of Princetons
Gothic Chapel, Ralph Adams Cram, would have celebrated the turning of
the Chapel into a U.N.-style religious hall.
Nothing could be further from the truth. Even a cursory reading of his
book The Catholic Church and Art or his introduction to Henry Adamss
classic Mont-Saint-Michel and Chartres would reveal a passionate
enthusiast who would never have considered a smorgasbord-approach to religion
or architecture or anything less for that matter, as anything but a road
to irrelevancy.
What Cram celebrated in his life and work was a unique architectural expression
and the unique spiritual impulse that besouled it. He considered
the Middle Ages The greatest epoch of Christian Civilization,
singularly united and at one with itself. His consuming passion
for the times is underscored when he writes: To live for a day in
a world that built Chartres Cahtedral would be to share in its
gaiety and light-heartedness, its youthful ardor and abounding action,
its childlike simplicity and frankness, its normal and healthy all-embracing
devotion.