"Take a
girl to Work Day" is exactly what Emily and I needed.
My sisters and I, when we were young, used to pledge
not to get married. My biggest fear was that an irresistible man
would ride up on his horse and I would end up married, stuck, and
unable to do and be all that I had planned. The details of what
I wanted changed through the years, but the plan always involved
living in a big city and carrying a briefcasebeing a "career
girl" with freedom, independence, and nice clothes.
And now I am. The general outlines of my dream came
true. And then for several reasons, including the loneliness that
can accompany hard-won independence, I became a Big
Sister volunteer. I met Emily, a chubby, adorable Hispanic girl from
the Bronx, when she was six years old. Now she is 13, and
beautiful and sophisticated way beyond her years. I worry about her
future, which is coming upon her much faster than I expected. The
choice Emily gets to make will not be between "career woman" and
"suburban housewife supported by a loving and affluent man." It
will be: (1) have a job, or (2) live, like her mother and the
other relatives who care for her, on a combination of disability
insurance, Aid to Families with Dependent Children, and other
government checks.
I urge her gently toward the job. I used to try to have serious talks about it, but
she was too young and preoccupied to pay attention. So
now I just talk. I try to work careers into everyday
conversation, just as talk of poverty and dependence
surrounds her home life. I feel like Annie Sullivan, the teacher
of Helen Keller, who finally realized that formal lessons
in words were not something young Helen could sit
still for, and not what she needed. Other children
learned language because it flew around them all day long.
That's also how most children learn about career options
and grown-up ways of life.
I tell her about my family. No unattainable success stories;
nobody's rich. But everybody's working, and struggling to make
psychic as well as financial ends meet. My sister Rebecca moved to
Boston and became a freelance tour director. It sounded glamorous
to me, but things get slow in the winter. To pay the rent a few
years ago, she took on Christmas seasonal work at Macy's, where
she was assigned to the candy counter. A few months later she
got a break. A luxury tour company sent her to China, leading a
group of affluent tourists through the exotic land she had explored
as a student. I couldn't wait to tell Emily. We found China
together on the map. I explained that there were airplane rides involved,
fancy hotels, interesting people, shopping; that Rebecca was in
charge, that she could talk to the Chinese people in their own
language, and that she got paid for all this. "Can you think of a more
exciting way to make a living?" I asked. Yes, Emily said without
hesitation, she could. I was puzzled, since she had never mentioned any
careers on her own before.
"You can?" I said.
"Yes. Who was the one that does the candy?"
One Saturday, we went to the Metropolitan Museum and
saw an exhibit of de Maupassant's drawings: caricatures of fat, smug
male lawyers. Emily studied the labels. "Hillary Clinton is a lawyer!" she announced when
she had figured out the subject matter. "Her husband is
a lawyer, too," I said. She didn't care. Although Emily
is deeply interested in Hillary, the First Lady's marriage
is clearly not one of her strong points. Her mother
tells me that Emily always says she wants to live like
me, single, with an apartment of her own. I'm proud to
share with Hillary the job of role model, and I'm secretly
pleased that I outshine her on at least one criterion.
On the other hand, I'm 36 now, and not as sure as I was 20 years ago that staying single is the key to all success and happiness. So I discuss that with Emily too. I asked her once if she had a boyfriend. "No," she said, "and I don't want one, because then you get babies and you have to clean all the time." (I hope she remembers that as the temptations grow.)
My job, I think, is not to convince Emily to live in any particular way, or to pursue any particular career; it is to give her perspective. If she can see that there is one way to live that is very different from the one she was born into, then maybe she can understand that there are many ways to live, and that the choice is hers.
SOFTWARE AND SUPERMODELS
In the first year of "Take a Girl to Work Day," I took Emily to the design firm where I worked. When one of my colleagues showed her how to use his software, she announced that she was going to be a computer graphics artist. The next year, she met some more people and decided on architecture. In 1996, she came to my new office, at The Academy of American Poets, and met a young man deeply interested in supermodels. So was she, and she began making career plans again. I considered worrying about this, but decided not to. At her age, I was in public school in rural Indiana, and I was going to be an actress, a director, a theologian, a poet, and, of course, President. So far, I haven't done all that. But I did get out of town, choose a college that could help me achieve my vague and myriad goals, and earn the money to pay for it. And I ended up, eventually, with a life somewhat more practical but still pretty good. Emily may also have to learn practicality along the way, but if the idea of supermodeling gives her direction for a while, it will serve its purpose.
I can't wait to see what she will decide on next. The more I can show her of the working world, the more she can think about how to make it work for her. And the more she can open my eyes along the way.
Heather Liston '83 lives in New York City, where she is the director of development at The Academy of American Poets.