September 27, 2006: Books and Arts
Reading Room By Kathleen Kearns Kathy Roth-Douquet *91 isn’t your typical Marine wife. Raised in an upper-middle-class community in Shaker Heights, Ohio, twice arrested for political protest, a self-described feminist, Ivy Leaguer, and longtime activist in the Democratic Party, she didn’t know any members of the military until she enrolled in the Woodrow Wilson School, where she earned a master’s degree alongside students serving in the armed forces. “Not knowing who they were, what their values were, it was a real foreign encounter for me,” she recalls. It wasn’t until she had worked in the Clinton White House and the Department of Defense and married a career Marine officer that Roth-Douquet began to understand why men and women make a commitment to serve, regardless of their politics, and she developed a deep appreciation for the role of the armed forces. In AWOL: The Unexcused Absence of America’s Upper Classes from Military Service —And How It Hurts Our Country, published in May by Collins, she explores the disconnect between people from America’s upper classes and the military world, and she argues that the military and the country’s opinion-makers are dangerously estranged. Before Vietnam-era upheavals and the elimination of the draft, the authors argue, the country’s industrial, political, and media leaders had more personal experience with the military. “About half of the [members of the] graduating classes of Princeton and Harvard entered the service for a tour of duty in the ’50s,” they write. “Today, less than 1 percent do.” They quote Princeton alumni who recently bucked that tide. One says, “Whenever I tell someone that I’ll be ... going into the Marine Corps, a typical response is, ‘Oh, why are you doing that?’” Most military recruits come from working-class families and those making just below median income, says Roth-Douquet. Roth-Douquet and Schaeffer believe that because of the elite’s unfamiliarity with military service, policy-makers make poorly informed decisions, academics and journalists dispense poorly informed opinions, and emerging leaders miss opportunities to build self-confidence and take on responsibility. In AWOL, the two authors differ on some key points — Schaeffer wants to reinstate the draft to eliminate the class disparity, while Roth-Douquet would like to see the military and public figures convince young people to serve. Roth-Douquet recognizes that those who assume that members of the military
are underprivileged, over-avid gun collectors often come from a background
like her own. As offended as she sometimes gets when people disparage
the military, she says, “I have to remember these are things I would
have said myself at a different period of my life.” Kathleen Kearns is a freelance writer in Chapel Hill, N.C.
Book Shorts
By K.F.G. For a complete list of books received, click here.
Lions and tigers and clowns, oh my! It wasn’t your typical gathering at the Princeton Club of New York when a scene from “Eco the Enviro-Clown,” a short film spearheaded by two alumni, was filmed in July. The film was written by Rob Kutner ’94, at right in photo at lower left; the executive producer is Bruce Kennedy ’92, at left in the photo. Kutner is a writer for The Daily Show with Jon Stewart; Kennedy is an Emmy-winning television producer. Kennedy said the film, a “very silly comedy” about an unsuccessful children’s clown who is also an environmental activist, should premiere this fall.
Preserving
a musical tradition By Van Wallach ’80 In December 2005, during breaks in an annual celebration of klezmer music — the folk music of Eastern European Jews — clarinetist Alexander Kontorovich ’02 and seven other top klezmer musicians crowded into a hotel room in the Catskills to make a CD. “You can imagine the scene — the eight of us scrunched into a one-person hotel room,” recalls Kontorovich. “Some are sitting, some are standing. We put the violinist in the bathroom because she needed the most isolation.” One musician was the center of attention: German Goldenshteyn, who helped fuel the genre’s revival in the United States. The resulting CD, A Living Tradition, was the master’s only major recording to appear during his lifetime: He died of a sudden heart attack June 10, at 71. The CD, produced by Kontorovich on the Living Traditions label, has been available online and began to reach retailers over the summer. Goldenshteyn was a native of Bessarabia, which spans present-day Moldova and Ukraine and has been part of Russia, Romania, and the Soviet Union. A Holocaust survivor and Red Army veteran, Goldenshteyn played at weddings and parties in Eastern Europe for 40 years, until immigrating to Brooklyn in 1994. With him he brought handwritten notebooks filled with about 800 tunes, many of them previously undocumented. Ethnomusicologist Michael Alpert, a prominent klezmer musician, told The New York Times that Goldenshteyn’s notebooks form the largest known collection of klezmer manuscripts in existence, and that his arrival in the United States was a turning point in the klezmer revival in North America, which began in the 1970s. “His presence breathed new life into this entire repertoire and culture,” Alpert said. Now Kontorovich finds himself, along with a few others, a keeper of the older man’s legacy. Both clarinetists and Russian-speaking immigrants, the two had formed a close bond after meeting at a klezmer instructional camp in 2002. Kontorovich is helping to produce a book with Goldenshteyn’s notations of 100 klezmer melodies. And this month, he organized a musical tribute to Goldenshteyn in Brooklyn, with the proceeds going to help the musician’s family pay funeral expenses. After the concert, Kontorovich, a Ph.D. student in mathematics at Columbia, planned to return to his own career as a composer and performer. He has recorded one album, Deep Minor, avant-garde jazz with a klezmer influence. He recalls his friend fondly. When visiting Goldenshteyn’s home,
Kontorovich says, “I would go and have vodka, his wife would serve
us a big meal, then we would talk about business. Business comes after
the preliminary activities — let’s eat and drink, let’s
be people.” Van Wallach ’80 is a freelance writer in Stamford, Ct. MORE ON THE WEB: For
excerpts from the German Goldenshteyn CD, "A Living Tradition," click
here.
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